Scheduled to coincide with the 80th anniversary of The Battle of Britain, an exhibition showcasing the fascinating and detailed work of artist John Finch opens on Saturday 12th September at The Guggleton Farm Arts, Stalbridge.
John Finch, who has been painting maritime and aviation subjects for 40 years, has recently moved to Dorset and this will be his first solo exhibition for 20 years. Much of his previous work hangs in collections worldwide with a considerable number of paintings documenting the era of the flying boats on show at the Bermuda Maritime museum. His work has also appeared in many publications, in particular The Battle of Britain by Roy Conyers Nesbit which includes John’s painting Ventnor RDF Station, the only known visual depiction of the site as it was in 1942.
The body of work on show at the Guggleton this month consists of oil paintings depicting a vast range of subjects within the aviation and marine genres. His aviation subjects range from the biplane fighters of the 1930s, to the jet age of the 1950s, and includes the spitfires and hurricanes of the 1940s. The marine paintings span from the Age of Sail to the express liners of the 1930s, and there are a number of Fleet Air Arm paintings showing Royal Naval carriers together with their air component. A proportion of the profits from the sale of these paintings will be donated to the Baracuda restoration project at the Fleet Air Arm museum.
Graham Mottram, Chairman of the Society of Friends of the FAA Museum and Director of the FAA Museum 1995-2015, will speak at the opening reception; in particular reference to some of the paintings, on their continuing importance and on the work of the Museum in context.
Exhibition open daily 11am-4pm from 12th to 25th September 2020. Opening reception (socially distanced) 2-4pm Saturday 12th September.
Millie Gleeson – In the Milking Parlour 14th August – 11th September 2020
The First Prize winner of our 2019 Summer Open GO FIGURE; Millie Gleeson now takes up that prize with a major solo show documenting the evolution of her practice until now, including works produced during two South American residencies.
Based in Somerset, her works are vibrant and dominated by a strong female form. Some of my paintings are from photos of herself, whilst others she makes up to act out different characters and emotions. This includes creating costumes, make up and settings; a practice for which her previous fashion school training comes in extremely useful. She says:
“I like to keep a theatrical element throughout my work by making images with a strong presence. At the moment I paint with acrylic, spray paint, button polish and anything else I can get my hands on, as I will continue to explore different materials and methods.”
Millie always paints outdoors, allowing a freedom of movement that would be constrained by the enclosed space of a studio.
Four Contemporary Landscape painters
Hester Berry, Day Bowman, Rita Brown and Sam Travers were selected for the show as their particular take on the landscapes around them offers a unique and fresh perspective on the genre.
Accomplished brush-workers all; their use of paint, mixed media and surface is to be beheld. Two dimensional images of their works do them no justice, so if you missed this stunning show you can view a film of it by clicking on the image on the left
The artists themselves were in conversation at a socially distanced event on the Friday 31st of July at 6pm. The event was ticketed [but free] and can be viewed by clicking on the right hand image below.
Wendy Elia RWA – In the Milking Parlour Gallery 1-11 July , Tues-Sat, 11-3
For the first time outside of London, this exhibition brings together key works in Elia’s catalogue that give a sense of the personal and professional journey the artist has undertaken. Key works such as ‘Maxime Spinning’ and ‘The Visit’ series will be on show. Curated by Deanne Tremlett, who has worked with Elia three times before, and in a new and exciting space for Dorset this show promises to both stun and stymie.
To coincide with her exhibition, on the 11th of July, you are invited to join Wendy [who will be teaching a Masterclass in oils, mixing and portraiture] between 10.00 and 5.00 for a full days’ class and light lunch. Places cost £80 and are limited so please book early to avoid disappointment. You can secure yours by calling the gallery on 01963 363456 or visiting our website at www.guggletonfarmarts.com.*
“Wendy works in series which explore the social and broader contexts of our times. In her portrait work she confronts our voyeurism and asks questions about the female gaze and painting’s relationship to authenticity and illusion.
Elia moves from the personal to the political not only in the range of content and form in the various series, but also within individual paintings: using a range of pictorial symbols and signifiers to extend the meaning/narrative of the works.
She trained at St Martins School of Art, London and has exhibited widely being a finalist in a number of national and international competitions which include 4 times at the National Portrait Gallery, as well as The Sovereign European Art Prize, and The Threadneedle Prize. Her work is also held in a number of public permanent art collections across the country.
In 2012 she was commissioned by Sherborne House Arts and B-side (funded by the arts council) to paint a portrait of a local sports person as part of the Cultural Olympiad in Weymouth and Portland.” Her work appeared across the town in poster form on walls and bus shelters as part of the Olympiad.
*PLEASE NOTE: These events will take place, in line with current PHE guidelines [Public Health England] unless they change beforehand. Measures will be in place on admittance to mitigate the spread of infection, please attend responsibly.
ALTERNATIVE VIEWS – Zara McQueen and Sally Ridout – In the Milking Parlour 7-28 February
ZARA McQUEEN is a self taught working artist. In her words: “Drawing and painting is part of who I am. It is how I respond to my world. I am driven by mood and intuition. I always begin outside- in that sense I am a landscape painter. Seasonal changes catch my attention and I can rarely resist the changing colours and textures of the natural year. I sketch and paint in charcoal, watercolour or oil and then return to my studio where I make larger mixed media pieces guided by memory and feeling. Work gets cut down, torn up, collaged and reformed. Fragments of self portraits and other work lay hidden in fields, branches or buildings.
I was born in East London in 1962 and moved to Shaftesbury in North Dorset in 1995 where I currently live and work”.
SALLY RIDOUT was born in Wales and moved to Africa with her parents at the age of 5. She trained as an Art teacher in South Africa and came back to the UK in the early seventies where she has taught Art for 40 years. She gained an Advanced Diploma in Art Education from the University of Wales Institute in Cardiff in 1989 on one of the last secondments offered to State Educational teachers, and in 2015 she retired as Head of Art at Sherborne International, where she had taught Art to GCSE level for 20 years.
Since retiring, she has concentrated exclusively on her own work, predominantly as a landscape painter in oils and acrylics in both a realistic and semi abstract style, and has recently embraced digital manipulation in the development of some of her work.
Her subjects are the rolling hills and valleys of Dorset where she lives; ancient hill forts and trails in particular, and she always works from original “en plein air” studies.
She is a member of the artists303 group and has exhibited locally since 2010 in both the Dorset and Somerset Art weeks, with artists303 at the Meeting House Ilminster in 2017 and at ACE arts Somerton in 2018 and has recently held a ‘solo’ exhibition at the Shaftesbury Arts Centre in July2019 entitled “Over the hills and far away”.
Sally has sold work locally and abroad and taken up commissions. She continues to be “wide eyed” about anything creative and is happy to be perpetually challenged by her desire to produce work which is expressive, skilful and yet accessible to all.
Drawing You In….
13th-25th January 2020 – In the Milking Parlour Gallery
For two weeks in dull, dreary January@thegugg we had an AMAZING TIME! Thank you so much to all the students and staff of Stalbridge Primary School who began our giant gallery drawing so well! After their 3 day ‘residency’ in the Gallery friends, family and neighbours were able to come and be inspired by adding and reacting to their hard work. The work eventually filled the entire space!
GO FIGURE, GO FURTHER – In the Milking Parlour Gallery
20 December-11 January 2020, 11-3, Tuesday-Saturday – closed 23 Dec to 7th January.
A follow up exhibit featuring the work of seven of our Summer Open GO FIGURE artists which has been created as a direct result of challenging their practices’ since meeting and discussing their work in August.
Artists included in the exhibit are:
ISABEL DE PELET’S YOUNG ARTIST OF THE YEAR – In the Milking Parlour
29 November-14 December 2019, 11-3, Tuesday-Saturday.
CONGRATULATIONS to all the winners and highly commended artists of the Isabel de Pelet Young Artist of the year exhibition. Awarded on Friday evening at the preview and selected by the ladies of Blackmore Vale Division of the Arts Society, William Montgomery took the top prize for his bronzes ‘Fox’ and ‘Kudu’, Peter Hazard took second and Sharon Hutchings third.
Photos courtesy of Sally Evans Photography
DAVID BURNS AND MARY TAMBINI – in the Milking Parlour
Ceramics, Collagraphs and Creatures 14-28 November 2019, 11-3, Tuesday-Saturday.
ALEX WILLIAMS – CATTLE – The Milking Parlour
5 October-2 November 2019, 11-3, Tuesday-Saturday
Born in 1942, Alex Williams trained at St Martin’s School of Art and The University of Wales. He became an art teacher, later Head of Art, at schools in Hertfordshire before moving to Hay-on-Wye to set up his design and print studio. Moving to the Welsh Border country in the late 1970’s was catalytic in his development as a painter of farm landscapes, animals, buildings and agriculture.
His work was widely exhibited in the UK and Alex then moved to Los Angeles for three years, exhibiting there and undertaking commissions for Tom Jones and Jackson Browne as well as for magazines and companies. His images have been widely used in Tableware and Fine Bone China, Limited Edition Prints and Greetings Cards.
His versatility also extends to numerous TV appearances as artist and art teacher, in Australia as well as in the UK. He has exhibited widely in both individual and group shows and his work is in many public and private collections;
The National Museum of Wales has purchased a number of his landscapes of the Welsh Borders and he has collaborated very successful with the National Trust on a range of products.
His recent show at The Fosse, “Only the Lonely” brought together his love of “Period Rock” (his term) and the lives of farming folk their live stock and rambling buildings.
If you would like a sneaky peak at the exhibition online then click this link to Alex’s website [opens in new window]
CAROLYN FINCH’S GUGGLETON FARM PAINTERS – In the Yard House
12-26 October 2019, 11-3, Tuesday-Saturday
A selection of works produced by the group of artists who meet in the Art Barn at the Guggleton to work with Carolyn on individual, personal projects and to develop their skills. On show are works by Michele Geiser, Ian Ross, Alice Corlett, William Webb, Peter Mole, Maria Oatley, Jennifer Morisetti, Kate Mallabone, Wendy Keenan, Alan Woodward, Julian Turnbull, Lyn Comrie and Sarah Marsden.
HOME START North Dorset SECRET POSTCARD EVENT
The Guggleton’s Milking Parlour Gallery hosted a successful ‘Secret Postcards’ Exhibition on Friday 27th and Saturday 28th September – raising over £2,600 for the Home Start North Dorset charity. Approximately 70 friends and supporters attended the event and bought most of the 120 cards (displayed anonomously) which had been created and donated by 70 local and national artists, including a few celebrities such as Dame Judi Dench, Sir Antony Gormley, Laurence Llewelyn-Bowen and Ivana Trump. Local celebrities, aka ‘The Pearlies’ Dave and Paula Hemsley, also attended to add a bit of sparkle. Photographs courtesy of Sally Evans Photography.
The remaining cards are now displayed and available for sale (with the names of the artists visible) on the Home-Start North Dorset website for £40 each. Interested purchasers should visit www.home-start-northdorset.co.uk/news/ to review and select a card, donate £40 on the ‘Donate’ page, then email Chelsey Gowen at email@example.com to organise postage of the card. Home-Start North Dorset is the local arm of the national charity which raises funds to recruit, fund and prepare parent voluteers to support and assist disadvantaged local families with young children struggling to cope.
Friday 13th – Tuesday 24th September 2019
Agnes was born in Holland in 1973. She read Philosophy at Amsterdam University, specialising in Eastern Philosophy. During and after her University she dedicated a lot of time to Find Art and taking art classes.
Influenced by both the exquisite revealing light of early dutch paintings and by the simple beauty found in Japanese ceramics and art, Agnes paints with focus and clarity Her preferred subjects are simple bowls and vessels. In her paintings one recognises Agnes’ Dutch roots through the delicate interplay of light shadows and reflections. She studied and taught herself techniques used by the Dutch Masters to enhance luminosity and depth of colour. The colours she blends are subtle and muted the results are quiet and contemplative, reflective and promising.